Showing posts with label eBooks. Show all posts
Showing posts with label eBooks. Show all posts

Sunday, January 6, 2013

2012 in Books

A little late with it, but here's my annual round up on the year's reading.

I took a goal at the end of 2011 to read 48 books this year and I managed to hit that goal. However, in pursuing that goal, there were times I pushed through books I should have otherwise put down, and times I prioritized lighter fare over heavier stuff. Next year I'm taking the goal of completing 36, but having them be more meaningful. I'll be ok with abandoning books that are turning out as disappointing.

I read 31 non-fiction books and 18 works of fiction (though three books were a mix of fic/non-fic, so I had to make a call on which category to put them in). Format-wise, 19 were audiobooks, 12 were e-books, and 17 were on dead-trees. All the e-books were consumed on Amazon's Kindle app on the iPad, or rare occasion I used the phone when I was stuck somewhere with downtime. Four of the books (Seven Fables, The Great Big Beautiful Tomorrow, and Hello Skater Girl, The Art of Videogames) were written by friends; I continue to marvel at how lucky and privileged I am to know such people.

My favorite books of the year were as follows: In non-fiction: The Future of the Internet and How To Stop It, Republic Lost, and Rocket Men. In fiction: Rainbows End, Angelmaker, and The Windup Girl.

Here's the full list grouped by topic. An asterisk means recommended, and two means highly recommended.

Business

Politics/History
Culture/Art/Media
Technology
Biographies
Fiction
Graphic Novels

What do you think? Did you disagree with any of my recommendations? Any faves from last year that I missed entirely? Let me know!

Monday, October 29, 2012

Some good - but insufficient - ebook publisher suggestions

As an industry with more history than most other forms of media, the pain book publishing is going through in trying to transition to digital is quite fascinating to follow and something we can all learn from.

As we've seen with music, film, and games, publishers are not only trying to assert rights that protect existing business models (e.g. trying to curb piracy) but also are pouncing on opportunities to gain rights that previously they didn't have, or had lost (e.g. rights for end users to resell books; rights for libraries to lend books, etc).

BoingBoing last week linked to an interesting piece by Joanna Cabot, calling for a return to common sense. It's a good piece, and a good starting point for discussion, but insufficient on it's own.

The TL;DR version is that she calls for three things:
- If granting rights that are really more akin to rental/lease than ownership, then say so explicitly and don't call it "buying"
- Understand that books are purchased by households, not neccesarily individuals, and sharing among household members shouldn't be a crime.
- Understand that individuals want and need to move books between devices, so don't make it difficult to do so.

In short, she's calling for e-books to allow for the same things that paper books do. If I rent a book I'm expected to return it, and if I buy it, I can do with it what I want. If I buy it or borrow it, I can share it with other members of my household, etc. She is saying that e-books should not allow us to do LESS than their paper counterparts. I agree.

However, it's not enough to stop there. e-books should allow for far more. They should allow for quoting, sharing, promoting. They should allow for commenting and conversing with authors, critics and other fans. They should allow for augmenting metadata about the book, its settings or its author. Some of this stuff has more to do with the e-book's usage in other services (e.g. imagine virtual book club social network groups), and some about opening the format to others (e.g. metadata).

Some of this is publishers not getting that these things can ultimately sell more books than their piracy-paranoid policies are saving in lost sales. Part of it is them rightly being scared that ultimately their role in the ecosystem may be less needed than before.

I think that if conversations in publisher board rooms are focused around "how do we ensure they pay?" instead of "how do we make the e-version of this book the most engaging and valuable, and how do we make it reach the most people?", those publishers are going to lose. The forward thinking ones asking the latter question, they are at least thinking in the right direction.




Sunday, January 1, 2012

2011 in Books

At the end of last year, I set a goal of getting through 36 books for this year. I exceeded that, completing 44.  They were pretty evenly divided among formats: 15 audio books, 12 e-books, and 17 in printed format. Interestingly though, the breakdown by format was not evenly distributed among topic areas. (e.g. all the fiction I read was in e-book format, where the bulk of the business books were in print). Of those I read in e-book format, most were consumed on the Kindle app on iPad, occasionally syncing and reading on iPhone.


For next year, I'm setting a goal of 48 books. I also want to plan my to-read pile a little better (e.g. some of the audio books I read were random picks at the library as I was under time pressure before a trip), and to be more willing to give up on books that aren't living up to expectations, rather than slogging through them.

As with last year, I'm grouping by topic. One asterisk for recommended books, two for highly recommended. Links are to my reviews, which in turn have links to Amazon or other place to buy.

The summary on recommendations is as follows: My favorite non-fiction book of the year is The Master Switch which I recommend everyone read, and Super Sad True Love Story is my fiction pick of the year. I'll also recommend Escape Velocity if you work at any company of over a hundred employees in which you want to effect change.

Business

Politics/History
Culture
Technology
Fiction
Graphic Novels

Monday, October 10, 2011

On publishers 'clearing out the attic'

James Bridle has an other excellent piece up about the evolution of text - or I should say the evolving value of text while text itself needn't evolve into other media. It's a good read if you are interested in text as a medium and/or a business.

Toward the tail end, he discusses the challenges to publishers bringing online their back catalogs of text - and how they must do things to add context to the work in today's connected world:

 As publishers spin up their digital and print-on-demand backlists, more and more is published with less and less context. These efforts amount to land-grabs and rights-squatting, without adding value. Works without TOCs, indexes, author bios, footnotes. Placing work in context is one of publishers’ primary tasks, stretching out to commissioning introductions, assembling background material, supporting biographies and critical studies. Design belongs here too: good book design, appropriate book design, as important now as it has ever been.

It struck me that this can easily apply to all those game publishers looking to sift through their back catalogs and re-publisher works onto new platforms and business models. Something to think about.

Monday, May 23, 2011

Game Journalism in the Age of Digital Books

Last year I authored a number of posts (like this one) on the future of ebooks, and also did a few book reviews and comments on digital typography (like this one), as well as pointing at the excellent thinking on the subject by guys like Craig Mod and James Bridle.


Suffice it to say that digital books and digital reading is a very exciting area of development, one ripe for many years of innovation. I'm continually surprised at how many people look at the iPad - essentially the industry's second take on a digital reader after the Kindle - and are calling it done.

It took us a few thousand years to get print into decent shape. I think we should at least give this one the decade, ok folks?

Anyhow, I was encouraged to see my areas of interest overlap when seeing two different experiments in taking game journalism into the new age of digital print.

The first is The Final Hours of Portal 2, by Geoff Keighley. Keighley spent three years with behind-the-scenes access to Valve & the Portal 2 team, and delivers a fifteen thousand word ebook/application. Less a review and more a gushing fan souvenir, it's nevertheless an interesting experiment - taking the lengthy text on the game and embedding video, interactive application elements, etc, to deliver an in-depth experience any fanboy would love.

I'll post a longer review when I'm done getting through it, but regardless of any flaws, I recommend you spend the $2 to download this to get an idea of (some of) what's possible.

The second example I came across is the Kill Screen Review of Infinity Blade. Great use of interactive typography to actually convey a key element of the game - in the text layout itself, not just in the text.

Go check out both of them, as I'm sure you'll be entertained and inspired.

Sunday, April 3, 2011

Sunday Futurism - TL;DR

If you are someplace where the weather has you reading on the couch instead of enjoying the sunshine, here are a couple good though lengthy pieces I came across and now got around to reading.



I've been following James Bridle's blog for a while. He's one of the more forward thinking people in the (book) publishing industry, and consistently links to really interesting pieces, adding a bonus of thought-provoking commentary.

The above is a list of seven more lengthy posts on his thoughts. The whole thing is a great read, but if you have time for nothing else, at least make time to read the 7th. It's a short story to tie together some of the ideas, and does so beautifully.


Good piece contrasting the different schools of thought (Utopian, Distopian, and Plus-ca-change) about how the Internet is affecting culture, thought, and thinking. Seemingly objective, and perhaps as a result of being so, it seems to side with the Plus-ca-change'rs. Regardless, it does a good job of taking a contrarian view to each point of view and as a result is a good read. Fave quote:

at any given moment, our most complicated machine will be taken as a model of human intelligence, and whatever media kids favor will be identified as the cause of our stupidity. When there were automatic looms, the mind was like an automatic loom; and, since young people in the loom period liked novels, it was the cheap novel that was degrading our minds. When there were telephone exchanges, the mind was like a telephone exchange, and, in the same period, since the nickelodeon reigned, moving pictures were making us dumb. When mainframe computers arrived and television was what kids liked, the mind was like a mainframe and television was the engine of our idiocy. Some machine is always showing us Mind; some entertainment derived from the machine is always showing us Non-Mind.

Wednesday, November 24, 2010

Great talk on future of publishing (+ a great speaking tip)

Craig Mod, who wrote a couple really awesome pieces on the future of book publishing on the iPad, and whom I linked to in a couple previous posts, and who I recently coincidentally ended up driving across the Mexican desert with (a long story), has a video up of talk he gave at a conference called 'the Do Lectures'.


First off, it's a great talk about the future of publishing, ebooks, and how the Internet is democratizing and changing publishing itself.

But second, if you are a fan of presentation techniques, watch it through to the end. Craig wraps the talk by calling out about ten of the audience members by name and giving them specific challenges on what THEY should be doing. From the talk, I'm going to assume that many of them he just met in the previous day or two at the conference, and (a) he makes his point that ANYONE can be a publisher, and (b) it absolutely connects that he's taken his audience seriously, so much that he can call them out by name and state what they are working on. So powerful!



Thursday, September 23, 2010

Ideo on the future of the book

Futurist concept demo on ebook ideas. Touches on some of the ideas I discussed a while back.


Monday, September 20, 2010

Book Review: EPUB Straight to the Point

In a previous post, I mentioned how I've been spending some thinking about ebooks and digital readers. As well, I've been reading a bunch about typography and things having to do with print on screens.


One of the books I picked up was EPUB Straight to the Point: Creating ebooks for the Apple iPad and other ereaders, which was recommended by several blogs of experts in the segment, largely because I think it's on only texts in this space that covers Ebooks on the iPad in depth.

Overall the book was too easy for me, though it might be acceptable for non-technical types. There was too much time on step-by-step instructions on how to replace fields in the XML source files, etc, but again, some people may want exactly that.

On the plus side, the author has tested most of the e-Reader devices out there right now, talking about limitations of each one. Some of these are device related, but most have to do with how the implementers of the devices made different assumptions and trade-offs when interpreting the still-wet EPUB standard.

Other than the comment about it being too easy, my only other complaint is this: while the author spends a fair amount of time on making EPUB books 'device proof' between device implementations, she doesn't spend any time making the books 'future proof'. That is, thinking about how they'll display/work on future devices. For example she suggests not using images whose resolution exceeds those of the display, but then those books may one day be displayed on higher resolution screens.

Other than this, it's a recommended book for less technical folk looking to publish or understand EPUB books.

Tuesday, August 10, 2010

Thoughts on iPad, Kindle, and future eReaders

On a mail list I frequent, there were two separate discussions about latest offering out of Cupertino, the iPad.

One of these was about how we unwittingly mortgage our future when we favor closed systems over open ones, and the long-term implications this has for consumers as a whole. That's the subject of another post I'll do another time..

The other discussion thread was about the future of eReaders and eBooks. Since someone on that thread was asking and I'd meant to post on the subject for a while anyway, it seemed time to make some notes. I did so, but then let it sit again for a while. Then this past weekend, I found myself on a sailboat in the Sea of Cortez with Craig Mod, author of this fantastic post on Kindle's implications for an e-book future, and that inspired me to dust off the notes and get them into this post.

I should note at the outset of this hefty list of ideas that not all of them are mine. I stand on the shoulders of (blogging) giants. Craig's and a number of other good posts that stimulated ideas are listed at the end of this post.

Also, I should note that I don't own a Kindle or an iPad. I very much wanted a Kindle (I'm a display technology afficionado and it uses e-Ink!) but opted to hold out because after using a friends a few times, I was disappointed by how much more it *could* have been. In the case of the iPad, the same is true to a lesser degree - it's got the Apple magic - but I feel it still misses as an e-Reader.

So, here I present some ideas in the hope that I can contribute to the conversation and someone will build a better mousetrap (maybe better cheese for the mousetraps is a better metaphor?)

What purpose do books serve?

They serve as many different things to different people. They are containers for ideas: communicating them in a fashion that is both broadcast from author to community and one-to-one conversation between author and reader. They are social objects: Giving a book as a gift or loaning one to a friend says something about both parties and the relationship between them - and augments that relationship in a way - the book is both adjective and verb in that sense. They are part of one's identity: Think of the proudly displayed library many people have.

In this sense, the Kindle seems to have only thought about the book as 'idea container'. As Craig pointed out in his post, there's a whole topic of form vs formless content that isn't addressed well. But beyond this, Amazon and Apple and their ilk are treating the book like it's a thing to be consumed, but no attention is payed to the social aspect. What if I want to share the idea I learned with others, or disagree with it, or debate it? The Nook considered the idea of loaning/gifting books to friends and then did the best they can dealing with publisher licensing silliness, but even then they only thought of it in very limited context.

A clearer example can be found in comics. Scott McCloud said that much of the magic in comics happens in 'the gutter' - the space between the panels. People are excitedly talking about comics on iPad, but mostly about how they might improve (animate, annotate) what is displayed in the panels or the way the panels are displayed. Who's trying to re-think and improve the space between the panels?

How do we consume books?

The e-Ink solutions aimed squarely at the chief complaint about reading on screens - that it's harsh on the eyes. LCDs and CRTs (remember those?) emit light, and which has to contend/compete with whatever environmental lighting is being reflected off the display. the e-Ink solutions depend on using (reflecting) environmental light. Like the dead-tree versions, you can't read them in the dark. Conversely, they work great in direct sunlight where LCDs don't.

Still, this seems like the tip of the iceberg when it comes to making the electronic page as readable (or more readable) than paper. Is there an equivalent of ClearType? Can the rendering of fonts be done differently based on reader viewing angle? Could a camera determine your reading angle and do perspective correction on text so that it appears perpendicular regardless of reading angle (Anisotropic ClearType)? Can the reader use an accelerometer and/or camera to do image stabilization like video cameras do, for readers on a bus or train? Can the bezel have built-in lighting that shifts based on viewing angle (an intelligent booklight)? Maybe tracking with eye movement?

Also, I don't know the specifics of the e-Ink technology causing it, but the "XOR-ing" of the display on page refresh is just horrific. That has GOT to go. At the surface it looks like something solveable with software (and by throwing more memory & compute at the problem) - tracking the state of the framebuffer, comparing the existing one to the desired result, and only spinning the pixels you need to (is spinning the right term for eInk pixels?)

We also consume books differently based on location (at least sometimes). Can geo-location play a role here? If the device sees I'm in bed, default to the novel I was reading last night before falling asleep. And then use the camera to sense if I've fallen asleep and power the device down.

Books and Geolocation

I'd like to see books annotated (by author, editor or crowdsourcing) with geographic data relating to events of passages). Let me walk the streets of London or Paris and follow the paths of characters of favorit books. Conversely, when I'm in a location I find interesting, maybe let me inquire about what books have taken place there in whole or in part. My iphone or ipad should beep when I walk past a location and give me a bit of trivia related to books I've read, much as a friend would; "Hey, this is where that shootout took place in that murder mystery you finished last month".

Social Networks and eReaders

I'm not sure I can think of a form of media that cries out for social network integration more than print. People get very attached to books, and even at the most basic level make a fairly significant time commitment to them. And yet consuming books is usually a solitary act. The book club lets people share the experience, but by constraining when they consume the books and when they discuss them. Forums aren't good at connecting people through existing relationships and you need to find the forum rather than it finding you.

A few ideas of what I'd like to see here:

  • Let me layer my some or all of my reading on top of *ALL* my existing social networks. I might want to share my sci-fi reading with everybody, my kids' books with my local PTA and also family, and my business reading with my linkedin group.
  • Virtual book clubs are an obvious idea. One could imagine extending this to having discussion topics around particular passages - supported by annotations people make while reading (more on this later).
  • Group together findings based on these networks and reading histories ("of the group of you that agreed with this passage, we find you evenly divided on whether you agree on this related work...")
  • Let the author engage in conversations directly with the reader if they so choose. "What did you mean by this section here?", "This passage moved me!", etc.
  • Let me select a ~100 character quote from a book and automatically tweet it to friends with the source and a shortened URL to the book itself.
Of course authors and readers engaging in conversation leads very quickly down two paths of discussion. First is just how "fixed" a book should be. The second is that of business models. More on these in a moment.

Finally, there's a whole other line of thinking we could explore if all social networks weren't fundamentally broken. I did a lengthy post on this a while back, but the short version is that a relationship is a noun not an adjective.

The living book

The idea of an ebook leads inevitably to a collision between the living nature of information on the Web, and our traditional idea that books are fixed expressions of ideas. There won't be one answer as to the question of what the right hybrid is between these two views. I would like to see though, a few things evolve out of it.

  • Give the author the ability to dynamically update books - and provide the reader with the ability to know about that change. A hybrid of footnotes and edit history like you see on wikipedia. One could imagine examples where the original version might be a matter of preference (say a novel or poem) and examples where this history is itself informative (say views on String Theory in a physics text).
  • Citations and references to papers could now be forward-looking, not only backward.
  • There are whole classes of types of annotations that could be imagined. Imagine a progress-slider on an equation to show it's derivation as a step by step animation. Or a time-line slider for a murder mystery that would let me leap around the text. Or a social graph or family tree of all the characters in Neal Stephenson's Baroque Cycle, etc. Of course each of these things could be author-driven or crowd-sourced/authored by fans.
  • Books could evolve to leverage web-based application platforms. Letting someone view a location in a book (say Normandy beach on D-day) and let the reader get a first person look at the landscape involved in the story.
  • There's room for a whole meta-game around books, reading and an individual or social network's collectively library. Xbox Live acheivements for the librarian set. Better yet would be to have an open platform for building meta-games. Think of teachers making scavenger hunts through the texts of their students are assigned.

Business Models

This is where my biggest beef is with both the Kindle and the iPad. They are razor-n-blade models. Closed systems that insist that the use of the device comes with the use of THEIR store on THEIR terms.

This has a host of issues not the least of which is a lack of competitive pricing for consumers "buying" books. More important to me is that it comes at the cost of hindering (or at least, not encouraging) innovation in the areas of stores, books, business models and licensing terms.

Beyond that, there's a long-term cost to society of allowing these closed models to become the prevalent ones. They become codified in our laws as the norm (DMCA, ACTA, etc). But that's the subject of the other topic post I alluded to earlier.

I beleive there's a real opportunity here for someone to get into the device game while opening the platform to all comers commerce-wise. Google, perhaps? PC OEMs? Microsoft?

Whether closed or open though, I'd like to see flexibility offered to publishers and authors to experiment with different licensing schemes and business models. Cory Doctorow has ranted about this a number of times (1,2)
Discovery

Here again, both devices have made attempts at improving discovery. Amazon through their recommendation engine and Apple largely by following in Amazon's footsteps. This is something but it so little compared to what could be done here. Don't show me what other people bought - show me what they bought and LIKED. Don't show me what just ALL other people bought, but those that share similar sentiments regarding books we've both read.

DRM

In short, it's ass. I get why it's happened, but at least let authors/publishers opt out of it so that someone can show that maybe the sky won't fall. This isn't just about portability between readers and devices, though that's part of it. The fact that I can't cut and paste text is extremely frustrating.

I want the ability to share annotations with friends and a network at large, I want to highlight sections of text (not just the text, but it's context as well) and flick them off to google to flag for further learning/reading, or flick them off to a workspace where I'm working on a presentation.

In summary

It's clear that these devices offer benefits over the traditional book, despite having a long way to go to equalling the dead tree's readability. That's to be expected given that we've been working on 'version 1.0' for hundreds of years.

While they improve readability though, I hope they'll also start to work on improving the things a paper book CAN'T do.

Further reading

Here are a few posts I highly recommend reading (if pressed for time, choose them over this post):

  • Books in the age of the iPad, Craig Mod, March 2010: A ton of thoughts on layout, typography, and purposes books serve. Among other things I thank him for crystalizing in my mind the idea of "Formless" vs "Definite" content, a concept I'd been thinking about but couldn't nail down the way he did. His follow-up piece is also must-read.
  • Random Thoughts about the Kindle, Seth Godin, June 2008: First of his two posts riffing on what Kindle is and what it could be. Money quote: "Kindle does a fine job of being a book reader, and a horrible job of actually improving the act of reading a book"
  • Reinventing the Kindle (part II), Seth Godin, February 2009: His second post on the subject, conceived mainly while wearing his marketing hat, with a sprinkle of 'how could social networks make this better'.
  • In addition, it was Dave Edery who opened my eyes to thinking of the Kindle as a game platform, which of course it can and will be.
  • Also, this presentation summarizing Portical's research project into the usage of books and ebooks had a few ah-ha's that make it worth reading.
  • Additional fuel the the fire from Cory Doctorow's many posts on the Kindle and the iPad. Many of them related to the other topic I alluded to above, but some of which pertain to things I'd very much want in an eReader. (1,2)

Sunday, January 31, 2010

What Amazon/Macmillan brawl means for games

Late last week, Amazon and book publisher Macmillan got in a scrap. Macmillan demanded higher prices for it's ebooks on Kindle, and Amazon responded by pulling all books (digital and posthumous tree varieties) from it's store.


BoingBoing has a post going with updates [in which the discuss the fact that Amazon caved eventually].

A more detailed post describing one view of the battle that is really at play, can be found on (awesome) author Charles Stross's blog, here.

In it, he describes what is going on is really a more significant chess game in which Amazon and Apple (and the publishers for that matter) are trying to re-define the supply chain as it shifts to digital, and hoping to capture a bigger share of the pie as that happens:

The agency model Apple proposed -- and that publishers like Macmillan enthusiastically endorse -- collapses the supply chain in a different direction, so it looks like: author -> publisher -> fixed-price distributor -> reader. In this model Amazon is shoved back into the box labelled 'fixed-price distributor' and get to take the retail cut only. Meanwhile: fewer supply chain links mean lower overheads and, ultimately, cheaper books without cutting into the authors or publishers profits.

Amazon are going to fight this one ruthlessly because if the publishers win, it destroys the profitability of their business and pushes prices down.

The way I see it, as I commented on Stross's blog, is that Amazon is trying to use their strengths to squeeze suppliers out of a greater share of margin, while Apple is instead going to give suppliers a decent margin to get them favorable terms which they can use to deliver better end user offerings. This in turn they can use to try and win market segment share.

It will be very interesting to see how this plays out over time now that there is (real) competition in the ebook space.

What's interesting for anyone in the games business is that the same issues and tactics come into play in games, and you can see how people's positions shift over time. [e.g. MS offered 70 points to developers when they were trying to build a platform (XBLA) and win MSS (vs other consoles) but over time as the business stabilized and it was clear they had a winning platform, we saw the temptation to put the squeeze to that 70 point handover.]

It'll be worth watching what happens in the ebook space (as well that of music, movies, etc), as the same sorts of battles are being fought across all of them. Developers and publishers will do well to watch whether there are mistakes in other spaces they can perhaps avoid. For example should they make move to ensure competition, even at the expense of a more lucrative deal in exchange for exclusivity?


Monday, July 27, 2009

Is Amazon fanning the Kindle(ing) flames?

I've been following the Kindle with some interest for a while. I *really* want one, but not as long as it's as closed a model as they are currently pursuing. I want to get e-books from other places, and I'd like an RSS reader please... which really means an open development platform so that RSS readers can compete... which quickly leads to other ebook retailers, and you see why they aren't that interested in it.


Anyhow, Amazon got themselves in a pickle when they had a licensing issue with a number of books from a publisher, which in turn led to them reaching out an disabling them on users Kindles out in the wild - something the users didn't know Amazon could do.

Kind of like coming down to your kitchen in the morning, seeing the toaster missing, and finding a note from Sears saying "Sorry, we decided we shouldn't have sold this to you, so we took it back. Here's your $20. Hope you weren't expecting toast this morning. Might we suggest oatmeal?"

A kerfuffle took place on the intertubes, and Amazon went on to issue an apology:
This is an apology for the way we previously handled illegally sold copies of 1984 and other novels on Kindle. Our "solution" to the problem was stupid, thoughtless, and painfully out of line with our principles. It is wholly self-inflicted, and we deserve the criticism we've received. We will use the scar tissue from this painful mistake to help make better decisions going forward, ones that match our mission.

With deep apology to our customers,

Jeff Bezos, Founder & CEO, Amazon.com

Sounds really good. I beleive he think's doing the right thing. He is.

Except he's doing the right thing about the wrong problem.

One problem is that some people had their books taken from them post-purchase, and yes, it's good to apologize for that.

However, this problem is only symptomatic of the REAL problem, which is that people bought a device which comes with hidden restrictions, unclear terms of service, and the capability to change behavior and functionality at any point in the future. (Cory at BoingBoing has been on a bit of a crusade to get answers on exactly this)

So, kids, what have we learned?

1) There's a lesson here in the growing awareness of, and intolerance for, DRM in all it's forms. Every story about a consumer being burned by DRM adds to that awareness and intolerance.

2) While it was good for Bezos to publicly apologize, he's created another problem: He's shown that he's aware of the situation and therefore what was a puzzling silence on questions around the Kindle's functionality and DRM now seems like a deliberate silence.

In the meantime, I'll stick to dead trees. They tend to not disappear from the nightstand while I sleep.

Thursday, October 4, 2007

Author offers free Excel e-book, experiments with biz model

To my post the other day about experimenting with business models, Bill Jelen is offering his e-book on using Excel 2007 for free at a good-enough-for-montor-but-not-for-print resolution. Why?

My goal is to get this version in the hands of 5 million people. You can help by downloading the book and passing it on to your co-workers, etc. Some percentage of people who get the book will buy a print copy or will buy a printable e-book, so I believe that the counter-intuitive strategy of giving the whole book away in one download will work fine.

Kudos. Seems like a cool idea. I hope it works out well.

Thought exercise: Again, what would the game equivalent be? This is different than a trial or demo. This is the full thing, but at low res. If you had a game with high replayability, would this just be the non-HD, low-fi-shaders version?